{"id":91,"date":"2014-09-30T14:21:24","date_gmt":"2014-09-30T17:21:24","guid":{"rendered":"https:\/\/www.pablogarreton.com\/?page_id=91"},"modified":"2024-08-20T14:38:22","modified_gmt":"2024-08-20T17:38:22","slug":"links","status":"publish","type":"page","link":"https:\/\/www.pablogarreton.com\/?page_id=91","title":{"rendered":"Works"},"content":{"rendered":"<h1><\/h1>\n<p><a href=\"https:\/\/www.pablogarreton.com\/?p=900\">2024 Re-cognize me 3.0, video installation, guitar quartet and interactive performance<\/a><\/p>\n<p>2024 Nimbus, for Saxophone Quartet and live-electronics<\/p>\n<p><a href=\"https:\/\/www.pablogarreton.com\/?p=893\"><b>2023<\/b> Confined Resonances, for English Horn and live-electronics&nbsp;<\/a><\/p>\n<p><b>2023<\/b> Wire Resonance, for Violin and live-electronics<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.pablogarreton.com\/?p=844\"><strong style=\"color: rgb(0, 0, 0);\">2023<\/strong><font color=\"#000000\" style=\"color: rgb(0, 0, 0);\"> Transparence, Musiktheater f\u00fcr verst\u00e4rktes ensemble, Live-Elektronik und Videoinstallation<\/font>&nbsp;<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.pablogarreton.com\/?p=825\"><strong>2023<\/strong> Ephemeral Reflexions, f\u00fcr Saxophone, pr\u00e4pariertes Drum Set und Live-Elektronik<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.pablogarreton.com\/?p=774\"><strong>2022<\/strong> Additive\/Disintegration, f\u00fcr gro\u00dfes Ensemble und Live-Elektronik<\/a><\/p>\n<p><b>2022 <\/b>Proteus Reflexions II, for ensemble (9 musicians) and live electronics<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.pablogarreton.com\/?p=858\"><b>2021 <\/b>Conducted improvisation no. 4<b>, <\/b>for saxophone quartet and live electronics, with interactive live score<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/p\/CdWvT0Do5Ul\/?utm_source=ig_web_copy_link&amp;igshid=MzRlODBiNWFlZA==\"><b>2021 <\/b>Cero<b>, <\/b>sound installation with video and digitally controlled percussion instruments<\/a><\/p>\n<p><b>2021<\/b> Dream is Foam VI for &nbsp;glasses and interactive lights and electronics. Installation and performance<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.pablogarreton.com\/?p=828\"><strong>2021<\/strong> Re-cognize me 2.0<b>, <\/b>for trumpet, saxophone, dancer, live electronics and video installation<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=655\"><strong>2020 <\/strong>By Sound, for drawing sound objects and two synthesisers <\/a>(co-creation with <a style=\"color: #000000;\" href=\"https:\/\/www.martinkaulen.com\">Mart\u00edn Kaulen<\/a>)<\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=378\"><strong>2019 <\/strong>Proteus Reflexions, for bass clarinet, piano, violin, viola and live electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=652\"><strong>2019 <\/strong>Pananalyticon, for clarinet, cello, keyboard, drum set, live video and electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=373\"><strong>2019&nbsp;<\/strong>(h)amor, for Bariton Sax and Live Electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=354\"><strong>2019<\/strong> Ephemeral Memories, for keyboard, prepared piano, prepared vibraphone and drum set<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=614\"><strong>2018<\/strong> Tiling Collider, for flute, clarinet, trombone, cello, keyboard, drum set and live electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=356\"><strong>2018<\/strong> Arp Fields, for ARP 2500 Synthesizer and 8.1 multichannel live electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=533\"><strong>2018<\/strong> Continuous Contrivance, performance in open space, for cello, violin, flute and a car<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=330\"><strong>2018<\/strong> Re-cognizme, video mapping interactive installation\/performance with dance, drumset and live electronics.<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=315\"><strong>2018<\/strong> Dream is Foam III, for Flute, Trombone, viola, glasses, percussion and interactive lights and electronics<\/a><\/p>\n<p><strong>2018<\/strong> Dream is Foam II, for, Oboe, Piano, viola, glasses and interactive lights and electronics<\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=307\"><strong>2017<\/strong> Dream is Foam I for glasses and interactive lights and electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=292\"><strong>2017<\/strong> Drittes Territorium, live performance\/installation. Electronics and<\/a><br \/>\nlive controlled lights.<\/p>\n<p><strong>2016<\/strong> Exatick, for Alto Saxophone and Realtime Electronics<\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=259\"><strong>2016<\/strong> Ni\u00f1os del Cid, Interactive video Installation<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=184\"><strong>2015<\/strong> Vida de las M\u00e1scaras, for piano and electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=146\"><strong>2014<\/strong> Triangle Study V, for bass clarinet, violin, cello, a dancer, video and electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=67\"><strong>2013<\/strong> Triangle Stuy IV, for dancer, electronics and interactive lights system<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/www.youtube.com\/watch?v=FW6uqVhP904\"><strong>2013<\/strong> Usina, for solo flute<\/a><\/p>\n<p><strong>2013<\/strong> Usina, for solo contrabass<\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=102\"><strong>2012<\/strong> Triangle Study III, for bass clarinet, violin, cello, three dancers, video and electronics<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=105\"><strong>2012<\/strong> Triangle Study I and II, for Violin and a Dancer<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=132\"><strong>2012<\/strong> Rehilaciones, electroacoustic piece in four channels.<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/soundcloud.com\/pablo-garret-n\/estudio-de-sintesis\"><strong>2012<\/strong> Estudio de S\u00edntesis, stereo electroacoustic piece<\/a><\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=104\"><strong>2011<\/strong> Circle, for flute, clarinet, cello, saxophone and percussion.<\/a><\/p>\n<p><strong>2011<\/strong> Raspando la Cruz, Live electronics performance<\/p>\n<p><strong>2011<\/strong> La forma, for violin, viola da gamba, cello and synthesizer<\/p>\n<p><a style=\"color: #000000;\" href=\"http:\/\/www.pablogarreton.com\/?p=108\"><strong>2010<\/strong> Capital, for voice and real-time electro-acoustic device<\/a><\/p>\n<p><strong>2009<\/strong> Sinople, for flute, cello and clarinet<\/p>\n<p>Pablo Garret\u00f3n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2024 Re-cognize me 3.0, video installation, guitar quartet and interactive performance 2024 Nimbus, for Saxophone Quartet and live-electronics 2023 Confined Resonances, for English Horn and live-electronics&nbsp; 2023 Wire Resonance, for Violin and live-electronics 2023 Transparence, Musiktheater f\u00fcr verst\u00e4rktes ensemble, Live-Elektronik und Videoinstallation&nbsp; 2023 Ephemeral Reflexions, f\u00fcr Saxophone, pr\u00e4pariertes Drum Set und Live-Elektronik 2022 Additive\/Disintegration, f\u00fcr&hellip;&nbsp;<a href=\"https:\/\/www.pablogarreton.com\/?page_id=91\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Works<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/pages\/91"}],"collection":[{"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91"}],"version-history":[{"count":28,"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/pages\/91\/revisions"}],"predecessor-version":[{"id":907,"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=\/wp\/v2\/pages\/91\/revisions\/907"}],"wp:attachment":[{"href":"https:\/\/www.pablogarreton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}